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February 27, 2006

27 Feb 2006

Dress rehearsal with audience at all boys school. The designer, Rodney Ford and the wardrobe dept - Aimee and Helen, came to see the show. Lovely ladies! Good first performance. Lines a little awry. Vicky suffered sexual harassment from testosterone loaded jerks but she soldiered on. We are complaining to the school. But this served to focus the cast on the material for the next show at an all girls school, which, we were told, had the 'difficult' pupils totally engaged and close to tears at the finish. Result! This did the cast no end of good. Rodney and the stage management department, Laura, Lisa and Charlotte, came to see the show. That's what I call support. Ellie, stage manager and sound operative is getting all 'creative' with her cues - oooh! There are now two days with no show so the cast are meeting on Wednesday afternoon to run the show again just to keep themselves 'on task' ready for the meeting with the writer on Thursday. I'll keep you posted.

I must apologise profusely to Mr Ian Grigson who also attended the afternoon performance (he sat next to me aswell!)

February 26, 2006

26th Feb 2006: Sunday

I'm on the cusp; first performance of/last day of employment on Missing Dan Nolan tomorrow. Mark Wheeller, the writer, is coming to see the show on Thursday so I think it wiil be an interesting day or two. In the meantime I have to clear out two drain pipes and clean my car. Then I'm heads down on the novel - working title, "Shoe-digger". Got to concoct a 'scientific' journal which explains the phenomenon of travelling between universes - shouldn't be too difficult. Ahem! As I write this I'm chillin', man. I'm listening to Monty Alexander and Ernest Ranglin - "Rocksteady". There's a cup of tea waiting for me in the kitchen so I'm off. Missing you already.

February 22, 2006

22 Feb 2006: Two days left.

We hit a 'significant moment' today; Cheryl said, "This is difficult." David said, "I think this is the hardest thing I've ever done." At the same time it is becoming clear to them what the script requires of the actor. Vicki is full of integrity and is a good physical actor - Theo is full of confidence and clarity of thought - Cheryl is 'in touch' - David cracks a problem then walks off straight through the audience. A mixed bag that are going to make it work.
The wardrobe department are up to their eyes in the Scottish play, etc., and they still went off, with no fuss and bother, and created four blazer badges replicating the actual badges from the actual school mentioned in the play - overnight.
The set is complete, some of it repainted at my whim and beyond my expectations.
We received the bed linen today, printed with family photographs from the original slide sequence. It looks really good and, I think, does a better job than slides would - but then, I would, wouldn't I?
The workshop is in rehearsal and, apparently, proving to be an enjoyable experience. Beth Flatley is organising it so I don't know a great deal about it.

February 21, 2006

Google

I've just been surfing Google and didn't realise there is more than one Jim Bywater. There's an American political activist and others under the name of James Bywater, my posh name.
I found things I'd forgotten about. eg: Edinburgh Fringe
There is also a neighborhood near New Orleans called Bywater.

February 20, 2006

20 Feb 2006: 6th day of rehearsals.

Cracked a 'problem' part of the play involving a difficult acting technique which includes acting, lecturing and storytelling, all in the one speech. My cast is young, as I said before and are making a very good job of it. Maintaining concentration is difficult but they are pulling themselves up by their bootstraps. BRAVO! As always, I'm getting excellent support from the technical staff - from the carpenter to the stage manager. Things are still looking good.

Quackers

Hello Mandy. Mandy lives with Chad in Devon. She's a literary editor and mother of two. She's got a cold, bless her. Get well soon, Quackers.

February 19, 2006

Malmö

Bjorn mit Wurst.jpg
BJORN ENJOYING A SAUSAGE.

This is that friend of mine in Sweden. I'm waiting for a phone call. Whilst I'm waiting -
Björn is a genius. He's an engineer/rock musician/inventor/bon viveur. He speaks better english than me. We agree that peolple are strange, I mean, we are the only normal people we know, and, as you can no doubt tell, even he's a bit funny.

It's such a Little Britain

I get a phone call from Neil, who's making an honest woman out of Louise and wants my address for the posh invitation card. He's ringing from Bournemouth - where he doesn't live - to say he's been called in to stand-in for an actor in the tour of LITTLE BRITAIN. The actor in question was mugged recently and can't do the whole of his part because of cuts and bruises sustained in the attack. So Neil is being vomited on, nightly, by David Walliams. God, some people have all the luck!
But that's not all. From '78-'81 I worked with a stage manager called Tony Harpur whom I haven't seen since, and, bugger me, if he isn't working on Little Britain too. Oo, le petit monde.

February 18, 2006

18 Feb 2006: From now until March.

One more week of rehearsals for Dan Nolan then I'm writing, for the forseeable future, the novel with my mate Jack. He's also writing a play for someone who must remain nameless, for the moment, so I shall be writing the book by myself - Oh the Power!!!!!

February 17, 2006

17 Feb 2006: End of 1st week's rehearsals.

We've been through the whole script, sorted out the basic entrances, exits, locations, moods and f/x cues. The actors have bonded, nearly know their lines and are starting to get a feel for the style of the show. The costumes are sorted and delivery dates are fixed for all missing elements.
I rehearse these TiE shows with the technical requirements as soon as possible. So we might have sound cues from day one and props as and when they are aquired - anything that can help the actors to feel the 'wholeness' of the show, not least because there is quite a lot of multi-role work, some at high speed and, about a third of the final week's rehearsals are taken up with preparing and rehearsing the workshop which accompanies the show. Still having a good time!

February 16, 2006

Barbara Kirschbaum

I've just told Barbel Kirschbaum (Cherrytree) that I would mention her name. She is an extraordinary accupuncturist and chinese herbalist, at the moment residing in Hamburg. She is also an expert windsurfing fanatic - or was. There, I've done what I said I'd do! Love you, Babs. xxx

16 Feb 2006: 4th day of rehearsals

We found a few hiccups (hiccoughs?) but frightened them off. We sorted the sound script - more than enough. We heard the tale of last night's blind date. We didn't start early and didn't end late. Perfick!

February 14, 2006

14 Feb 2006: 2nd day of rehearsals

You know what it's like - the first day is a relief and then the second doesn't get any easier. We've decided that the story is being told 'in the now' because the script has been updated from time to time so must be contemporaneous. There is a slide section in the play but, when the show is to be performed in school halls you run into blackout problems. So I have decided, through a process of osmosis with the designer, Rodney Ford and the stage manager, Ellie Bazeley, to print the slides onto sheets and pillow cases thus revealing the 'photos' whilst the family do household chores. After all, memories can creep up and get you any time.
The cast, David Grace, Cheryl Chapman, Vicki Jackson and Theo Herdman are terrific.

Sax Rentals

I got my first comment today on 'First Day of Rehearsals' post, from my friend Phill Straker, no doubt encouraged by his wife, Chrissie. A tad sarcastic I thought but I know they only wanted me to mention them on my blog site. Underneath it all they are both decent chaps and our dog, Jackson, loves their dog, Florence, a Spinone (Italian for Floozie). If you're into saxaphones it's worth a visit to Phill's website and check out the Maui Xaphoon bamboo saxophones..

February 13, 2006

13 Feb 2006: First day of rehearsals.

Read through, relaxed; casting sounded right. Tech teams seem happy; Rodney Ford, the designer has come up trumps. He knows what I like and he makes it his.
We rehearsed the 'improvised' bits - horseplay scenes which need coreographing. They could have proved to be sticky moments but, it's a young cast who are keen to exercise the acting muscles and discover the acting 'rules'. I think it's going to be OK.
We are doing it in the round - my favourite form in schools, allowing the audience close proximity to the action and, therefore, I believe, a better chance for involvement.
The play, by Mark Wheeller, is about a lad called Dan Nolan who went missing on a night-fishing trip in the Southampton area on Jan 1st 2002. It struck me that we would have to decide in which year we would set the play - are we telling the story now or are we telling the story when the play was written? The nature of the narative would be amended by time. This is yet to be discovered.
There is an appendix which keeps the sense of loss alive whilst, poignantly, allowing the audience and the characters to laugh - to have hope for the future. Well done Mr. Wheeller.

February 12, 2006

Orwell, Dickens, Jamie and Me.

FEATHER IN THE CAP TIME: The education department at the Queen's Theatre decided to deal with ANIMAL FARM for the English and drama department syllabuses. Because of the economic restraints it was quickly realised that we could not use any extant scripts, two in number, which involved a cast of at least eight. So, I said I would do an adaptation for three actors and a speaking technician (oov). We had to acquire permission from the George Orwell Trust. Eventually, after examining my CVs and history of work at the Queen's, they gave permission. Thus, I am one of the chosen few who have been given permission to adapt ANIMAL FARM. RESULT!
The script is available, for any one who is interested, from the Queen's Theatre, Hornchurch.
More recently, Beth Flatley, the new head of education at the Queen's Theatre, expressed a desire to.....

....do something which dealt with healthy lifestyles for school children. This coincided with the 'Jamie Oliver' school dinners campaign and the policy for improving the school menu in Essex schools. I volunteered - and was encouraged - to write something.
The result was, "OLIVIA TWIST", the story of an orphaned girl who runs away from school and joins a travelling fair.
OT Plate.JPG

She lodges with the Burger Wagon owner, Bill. She learns about 'GOOD FOOD' from the ghost train owner, who happens to be the long lost sister of the school cook at Olivia's old school and, by a sychronicitous chain of events, she arrives back at school and initiates a change of menu. Everybody is reunited, the school exam results improve and everyone is extremely successful. We had Steven Walpole, chef at Westminster College, who came in to advise and teach us about cooking healthy snacks.
The exciting feature about the show was that three of the actors had to cook chicken, mackerel and vegetarian fajitas - live- in front of the audience, who tasted the goods. They seemed to like it, both the show and the food.
The script for the show is also available from the Queen's Theatre.
You can see Steve Walpole with me and the cast by clicking here and scrolling down.
I am also in the process of writing a children's novel with my mate Jack. It's a science fiction story involving the child's world in the fifties - sort of. It's great fun to do and a bit under wraps at the moment.

Beth

Born 1987, Beth (real name Bethany) is the youngest of the three girls. She plays piano, cello, sax and bass guitar. Went to the local comp and then to BIMM for two years. She is going for an interview for Goldsmiths College to start in September. I hope to God she get's in - I want her out of the house :-) No, but she's lovely.

Zoe

Born 1972, Zoe, (real name, Zoe) is the middle daughter, actress, director, mother-to-be, living with Corin in Brighton - not a million miles from her sister, Hanna. Is a clown, professionally and in her private life. I once directed her and her friend Tim Kane in a show for the Edinburgh fringe five or six years ago - 'The Jeffrey ( with a 'J') Cobb Stress Management Roadshow'. I thought they were very funny. Bald and short, but funny. No, but, she's lovely.

Hanna

Born 1970, Hanna (real name, Johanna) is the eldest. A qualified actress - unemployed - lives in Hove, not a million miles from her sister, Zoe. She's very musical and has a good voice. When the three girls sing Bulgarian folk songs together you could be in, erm, erm, Bulgaria somewhere. I'd love her to do something with it. No doubt she will when she's ready. No, but, she's lovely.

Teeing off.

I had one or two golf lessons in the fifth form at school. I seemed to be quite good, as far as can remember. Twenty years later I had my first game in Uppsala, Sweden. I was directing a show written by John Fiske and starring 'Kesselofski and Fiske'. Paul Kessel took me out for a round. I surprised everyone, including myself, with the quality of my game. Twenty years later I had my next game of golf whilst working on an Alan Plater play, End of Empire, at the Watermill Theatre, Bagnor near Newbury. My game had somewhat deteriorated through neglect and the ageing process. However, the spark had turned to fire and now I'm a member of the local nine holer and play off a 28 handicap with an electric buggy and a set of Callaway X-16's (Steelhead). My favourite course. so far, is Seaford Head. The Hell Hole, number 12 is amusing and the 18th, The Head, is awesome.
My local nine holer is small-ish, but make a mistake and you pay for it.

Sweden

I have a friend in Malmö - Björn Engström. But möre of that later.
I also have friends called Kesselofski and Fiske.

February 11, 2006

Saturday 11 Feb.

Midday: Just waiting for Jeni to come home from the shops and then we can take the dog (Jackson) out for a walk. Might meet my mate Jack (and Anne, his wife) for coffee later - might not. He's a bit fluid, is Jack. We played nine holes yesterday - he won, again. The less said about that the better.
Then it's as normal a weekend as this disfunctional family can manage before I start my first day on the Dan Nolan play at Hornchurch on Monday. Looking forward to it!
My mind is full of thoughts about this flippin' blogsite - design, content, uses, etc. - I think I'll have to reorganize the 'look' of the blogsite - inject a little excitement, with a little help from my friend, Ian Fenn.

February 10, 2006

New Grandfather

On the 22nd May my middle daughter, Zoe, is due to make me a grandfather for the first time. I hope she makes a good job of it. I mean, I don't want to be a sub-standard grandfather; I want to be at the peak of grandfatherhood from day one. My wife, Jeni, has so far been referred to as WSM (Wicked Step-Mother - pronounced 'Wuzzum'), and, I suppose, will now have to be referred to as WSGM (Wuzzugum).

February 9, 2006

New Life

It's great working at the Queens Theatre. I started there in 2000, after an interminable period of unemployment. As a new member of the company of actor/musicians I appeared as Ernie Nearmiss in my first ever musical, 'BLITZ' by Lionel Bart and have , thanks to the patronage of Bob Carlton, the Queen's director, (no puns, please) ended up being the, sort of, resident TiE(Theatre in Education) adapter/writer/director.
I start my next assignment at the Queen's on Monday the 13th., directing Mark Wheeller's TiE piece called 'MISSING DAN NOLAN'. This wil be my seventh assignment directing for the TiE department. We've gathered a little pool of actors who are prepared to carry the set, costumes and sound gear from the van into the school, set it all up and then start performing at 9.30 am, bless them. It's very much a young person's job, more's the pity.

In terms of work, after two and a half years teaching in Castle Donnington, I've sort of gone full circle. I started at the Bolton Octagon during the heady days of 1968, as a member of the TiE team, when it was all 'kicking off', as they say. Roger Chapman (ex National Theatre Tour Manager) and Cora Williams (where are you now, Cora?) were the leaders. And they were good! Since then I've done a bit of everything and sort of landed back where I started. Funny, life, isn't it?
At the Queen's we've done TiE shows about storytelling, 'Cowboys and Indians', not very PC terminology but the show was from the 70's; racism, immigration, the Scottish play, bullying, Animal Farm, healthy eating and next - missing persons. I won't write any details re material or casting unless you request me to do so, dear reader, through the 'comments' facility.

Who, What & Where I am.

Name: Jim Bywater.
Age: 60 odd.
Sex: Sometimes.
Marital Status: Submissive.
Married: Twice.
Employment: Actor/writer/director/musician.
Domicile: East Sussex with access to Battersea.
Birthplace: Morley, Yorkshire.
Education: Morley Grammar school; Loughborough Training College; the University of Life.
Hobbies: See 'Employment' plus golf, fiddling about on my computer and a bit of DiY.
CVs: Director, Writer, General CV

BIOGRAPHY
TRAINING AND QUALIFICATIONS
Teaching Cert. Drama Loughborough. 1962-65
Actor/Teacher, Writer, Musician, Director. 1968-2001
D32, NVQ Levels 2&3 ECDL in Information Technology. 1999/2000

Born in Morley in the woollen district of West Yorkshire in August 1943 Jim was the eldest of two boys and son of an ½ Irish mother and a glass-blowing musician who could, allegedly, play all brass instruments (and the drums) and read and transpose on sight. Thus Jim is able to knock out a tune or a rhythm on most things that it is possible to knock out a tune or a rhythm on AND he likes a party. He was also trained as a cabinet maker and Drama teacher at Loughborough Training College from ’62 – ’65.
After two and a half years teaching in a Derbyshire Junior School he took up a position as an actor-teacher, a new animal, in the spring of 1968. For two and a half years he learnt how to create and construct a dramatic event (historic or fictitious) for a group of young people in which they participated fully. This is also where he learned to act – a matter of life or death for both the actor and the value of the young person’s experience. From there to Leeds Playhouse, doing the same job, for two and a half years and then on to freelance acting, directing, writing, music and singing.
In the ‘70’s Jim played the part of the Assistant Camerman in ‘Ready When You Are Mr. McGill". There was also pre-school television which Jim wrote for and performed on. There was ‘Tom, Dick and Harry', a sitcom for the under fives which he wrote for YTV; there was 'The Luddites', produced by Granada TV; there were folk clubs and song writing, and then there was BELT AND BRACES THEATRE COMPANY, a touring political rock music theatre company which, when Jim joined, was led by Gavin Richards – now resident in New Zealand. It was here that Jim met John Fiske and Paul Kessel.
This, from 1976 with ‘England Expects’, touring Britain and Scandinavia, through ‘A Day in the Life of the World’ to ‘Accidental Death of an Anarchist’ at the Wyndhams Theatre in London’s West End and Channel 4, ended in 1980.
At this point John Fiske and Paul Kessel had moved to Sweden and were forging a career as Sweden’s only English double act. So Jim was involved as director on several of their shows, culminating in two productions at the Uppsala Stadstheatre: ‘The Big Viking Adventure’ and ‘Catch My Soul’.
The next period consisted of teaching at Rose Bruford College, both on campus and on site in Wolverhampton. Then six months on Coronation Street in 1984 followed by Sky Channel’s 'Deadly Ernest' who presented the 'Friday Night Fright' horror film slot from the Sky Channel graveyard. Jim applied, in blood, inventing 'Scarlett Aorta', Ernest’s ghoulfriend, on the way. This undead role died after three years. However, it spawned a couple of series of Fun Factory at Sky writing scripts and songs for Amanda Chadwick, the programmes producer. The last employment for the BBC was to write "Tricky Business", a 9 episode comedy series set in a magic shop, starring Paul Xenon and Patsy Palmer.
Later, at The Royal National Theatre Jim played a Satyr in ‘THE TRACKERS OF OXYRHYNCCUS’, by Tony Harrison, (t' bard) which played one performance in Delphi then toured to Scandinavia and Austria ending up in the Olivier Theatre at the RNT.
From here to Shakespeare’s Fools in ‘Measure for Measure’, King Lear, Two Gentlemen of Verona (at Shakespeare’s Globe, which toured to New York) and, Puck in ‘The Dream’, each one directed by Jack Shepherd. Jack also writes plays, one of which, ‘CHASING THE MOMENT’, was about a disparate modern jazz quartet. Jim played Harry, the string bass player, drug addict and new age philosopher, playing at the RNT studio, Southwark Playhouse, the Edinburgh Festival and, finally touring Israel.
The last port of call has been The Queen’s Theatre in Hornchurch, Essex where Jim has been playing in plays that everyone else played in at the start of their careers – Blitz, Importance of Being Earnest, The Ghost Train and, pantomime. The final panto being ‘Sleeping Beauty’ in which Jim played the Dame, Nanny Clutterbuck.
Jim has also written and directed for the TiE dept., producing material which deals with immigration, bullying, literature (To Kill a Mockingbird, MacBeth, Animal Farm), healthy lifestyles (Olivia Twist – written by Jim) and Missing Dan Nolan about a schoolboy who went missing near Southampton on 1st Jan 2002, written by Mark Wheeller. Jim is also co-writing a novel for children with a friend when he’s not playing golf.

Steinberg MI4 System

I bought a midi/analogue recording system for creating soundscapes and sound f/x for plays and stuff. It wouldn't install properly. The install documentation, which I read after instead of before trying to install, said there was a 'fix' for this 'issue' (great vocabulary, innit?). I duly installed the 'firmware' which removed the first issue but presented me with a second one. Arbiter, the ditributers have recommended a download of files from Steinberg's website. I have yet to install these new items. I'll let you know.

Ian Fenn, again

We're getting there. I'll have a go at embedding some pictures and stick a link in for Nobby Clarke and then I think it's simply a case of "publish and be damned."

February 7, 2006

Ian Fenn

Mr Fenn has just spent an hour, face to face with me, and taken me through the posting process for this weblog. So - this is my first complete attempt. He has a chinese food website talking about - guess what - chinese food! He also designs and administers web sites - obviously.

All I have to do now is decide on my Categories and find a way of writing the blogs that don't bore the prospective reader. But the best thing is - I get to have an email address with my own domain name. I feel I've finally grown up. I shall, at some point, be listing/mentioning all the people I know who have websites or blogsites with links and, who knows, maybe even photographs. I'm getting overexcited now, I'd better go. Bye.

February 2, 2006

Jeff

Jeff.jpg


Daddy Grice.jpg

I love you, Jeff.

February 1, 2006

My birthday. Family and 'Friends' at Bagnor.

My birthday at Bagnor.jpg
From left to right: Sasha, Beth (beneath), Zoe, Hanna, Clarence (Joos), Corin, Annie, Giles, Bjorn. They hired a mini bus and whpped me back home after the show drinking champagne all the way, except Annie, the driver, obviously. Mind you, she made up for it later.